Acclaimed Delta blues disciple and storyteller extraordinaire plays The Cove Inn, November 14.
Over a pitcher of Molson Canadian at the Princeton Pub, while a startlingly able roots-rock ensemble hosts the open stage night behind our table, we ask Bison’s vocalist-guitarist James Farwell how he feels about his band’s recent signi...
Plastic is everywhere, explains Yardley in her introduction to Becoming Plastic. “It’s in the depths of the oceans and at the highest of mountaintops,” she says.
Kingston Live podcast episode 65
5 questions for the JUNO-winning act ahead of their Slush Puppie Place performance
Samantha Dickie’s conceptual ceramic sculptures
and
Louisa Elkin’s contemplative oil paintings
together at Fortune Gallery Feb 17-March 24, 2022.
Preview: http://www.artopenings.ca/dickie-elkin.html
She’s been at it for 35 years, but Toni Blodgett’s love of jazz continues to fuel her band’s unique blend of what she calls “more traditional” music.
What it really means is her group has access to a vast repertoire of jazz tunes and has develo
These gals...crazy. Vancouver to Toronto for a single gig. Fly home. Immediately pack the tour van. Cross the border at night. Drive 15 hours to a poorly attended Monday night show in Denver. Who does that? The Pack A.D., mofo, that's who....
We have lots to talk about because The Hits have been one busy band. First off, can you introduce yourself and the band and their instruments. Why no bass?
Alright, well, I am Dusty and I hit stuff really hard and sing a bit, Lou Slips...
A lively Spring tonic awaits visitors to the Gage Gallery in early April 2021.
Margo Cooper and Elizabeth Carefoot present a vibrant series of abstractions titled Eccentric Deliberations. The artwork of this talented duo is eccentric in the best possible
Sometimes musicals aren’t all happy and cheery like many make them out to be.
Set in the late 1800’s, the dramatic musical Fires Burning takes the audience to a disaster that hits the small western town of Caldoon’s Crossing.
After three years and completing the paintings, she realized: “ I was documenting my grief over the current unfolding environmental disaster.
Homeland is an historic journey that reveals the artists’ pre-war lifestyle in Syria, the beginning of unrest, and finally, the trauma of dislocation. These artworks reflect on personal and cultural identity through the lens of memory and migrations.